masterpiece!! >awake from a dream< is a whole journey through the night distilled on one ep. rising sun takes you with him to four delightful moments of a real house night and beyond. from the warm welcome of >come together< to the hypnotic percussions of >change< and along with the rough grooving edges of >ny 94< you will find your way to the soothing >when the morning comes<.newly founded record label wake up! from lüneburg is more than excited to start its path with such a unique release.

willie burns doesnt need much introduction these days with several releases for trilogy tapes, l.i.e.s. and creme org under his belt, as well as numerous appearances, aliases, amounts of podcasts and radio shows bordering on the insane, not to mention his own label wt records and on and on and on it goes.. for a man who likes to keep a low profile he sure gets around! as it stands, here are four bright new signature cuts drenched in naivety and joie de vivre for yall to chew on.

four raw and gritty tracks make up the new release from lordamercy, with ties to the 2000black family.

by awake is the brand new label of the awake agency based in frankfurt/germany.by awakes first release is a top notch ep with four tracks from the awake family members rey & kjavik (exploited, compost black label), agraba (culprit), less hate (kindisch) and valentina black (king street)

fishermen is a new project created by martin (mrsk) and his friend thomas. their first ep was released on the skudge white series. when it is time for their second coming, delirium tremens, the duo delivers four tracks of dark, grinding soul techno, inspired by the sea. to be played at maximum volume

in mood swings ep, miguel migs and shades of gray have come together to deliver a fine deep house affair drenched in rich textures, subtle undertones and moody melodies. aspects of both classic and modern deep house intertwine expertly on these four tracks, creating edge and dynamism that is dance-floor ready.

were really extremely excited to unleash these 4 gems by amsterdams stefan vincent. early support by ame, raresh, untold, dvs1, dj deep, chymera

can you jack? chicago acid and experimental house 1985 - 95 pt.2! feat sleezy d, dj pierre, lil louis, tyree, green velvet, two of a kind, armando & phuture... repress 2013

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

the used experience ep marks the debut release from brooklyn-based producer divvorce and second release for the fifth wall imprint, which he helms with fellow brooklynite hound scales. a collection of four originals and two remixes, it is equal parts warehouse grit and colorful house and techno. remixes come courtesey of rush hour/skudge records-affiliated artist mrsk and tectonic-afilliated artist grenier.

another (more or less) round catalogue number, another various artists ep on uncanny valley: this time its a full package with four true club bangers (at least to our ears...). on the a-side we have the heart warming label debut of the polish producer eltron john

macadam mambo 5th release is ready to rock! after the success of our first four issues, we are proud to introduce our new selection of edits. featuring disco adjustements by : raphael top secret with >love & compute<, a robotic dancefloor killer boogie, very cosmic. roger suchard with >tout en emotion<, super >electromotive< new wave british style synth-pop. bob bernard with >jewish party<, a psychadelic & kitch monster hebraic groove. albion with a hudge obscure indian electrofunk >welcome welcome<, pure bollywood - meets - the beat style!guillaume des bois made the last one, >conan le berbère<, magnificent ambient and balearic tune digged out of library

mote-evolver welcomes back psyk (aka manuel años) after his strong label debut release, distane. for his second mote-evolver release, psyk delivers yet another standout effort with four tool-oriented tracks of clean, tight, yet powerful minimalistic approach.
early support from: adam beyer, rolando, brendon moeller, ryan elliott, pär grindvik, scanmode, stray landings ...

super powers are uniting on the new uy070! one track, four versions and all magic.my space - the floor monster- was created by our upon you man with the historical analogue-park: sierra sam.

early support from andrew weatherall. joalz returns with hello darkness my friend, a four song e.p feat. actress & singer mary tsoni, known for her play at the oscar nominated film dogtooth.

vertigo is the a side on this four track ep by roberto capuano that uses reverberated kick drums and piano chords to create a groove that was designed for peak-time play. the second track, inversion uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. new chapter uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums. the final track earth uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present

having recently relocated to london, urulu & chaos in the cbd join forces for needwants next stellar release. sharing the same musical passion and vision, yet each holding distinct style and influences, they were able to come together and deliver something really special. a combination of four deep, diverse cuts where old school meets the new school.

all good things must come to an end. synth sense close proceedings on the symbol series in fine style. four sublime cuts that evade genre classification but firmly push the boundaries of electronic music.

the release number 12 on giegling is a product of four individual tags of memories. growing up in the same city hannover the four producers vril, prince of denmark, leafar legov and herr koreander share some part of a collective mind which led to this ep.

limited 200 black vinyl pressing in custom brown record jacket with black inner sleeve.
the deeply layered rhythms and atmospheric elements that refracted shows across the four tracks on along a ghostly trail make a perfect match for silent season, as the berlin based newcomer joining some illustrious company in the shape of stl, djorvin clain and edanticonf in contributing to the canadian labels rise. clouds of sub bass meld rhythmically with the stripped back percussive lilts of enlightenment as they traverse a scenic back drop of textural atmospherics, whilst the title track is similar in tone if imbued with a spectral feeling that justifies the name. contrasting this, both oo-koo-he and hyperdimension are gloopy bassline lead arrangements that slowly swell around the senses.

this is the first 12inch single in a series of four, as part of the upcoming debut compilation titled >alles claap<! vol.1 presented by gummihz. two excellent remixes by d julz and jimpster on two tracks by label head gummihz.

currently two of the busiest men in contemporary deep house, alex agore and james johnston have still found the time to establish their joint no matter what recordings as a potent outlet. this sixth release sees johnston at the buttons for sole control after a couple of split releases and the consumer ep demonstrates a further refinement of his own distinct brand of house music. arriving on transparent vinyl, lead track give him prozac sets the tone with a thick four note synth lead that accrues all manner of dreamlike analogue qualities as it progresses backed by those crisp rolling rhythms johnston is known for. columbo likes the nightlife takes things on a notably deeper path, all dubby chords and intricate skipping percussive touches augmented by epic sweeping textures, whilst face down and they had cocktails maintains the same feel if upping the pace somewhat. johnston ends strongly with the sublime analogue build of the sleepwalker.

limited hand numbered copies. no repress. no digital. four tracks of standout goodness, deep, layered, hypnotic sonics. timeless cuts of varying degrees of intensity to suit all intimate dancefloors. artwork designed by philip mitton. focus on quality.

pressing on red vinyl.
leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

the newest offering from luke hess deeplabs imprint: warehouse sessions volume 1. limited to 500 grey marbled copies worldwide, all four producers on duty here keep the vibe deep and unique, jacking at times while laid back and cosmic at others. four tracks with a groove firmly rooted in early to mid-nineties detroit warehouse techno, the results mix analog instruments and machines with a dose of atmospheric dub!

for years now, rich nxt has been making waves in the underground scene in london. a key player in the inner circle of fuse london alongside enzo siragusa and seb zito, the substance ep will be his second solo release on the imprint. it is another top release from a label that seems to be unstoppable at the moment, and rich nxt expertly lifts the shadowy fusic sound from the depths of london, working it into four killer tracks for your record collection.

while we are already looking forward to the release of the complete traversable wormhole album in the beginning of spring, clr is excited to present you this fascinating four track e.p. with remixes of original tw tracks by northern structures, dasha rush, orphx and monolith, four of the highly creative acts on adam xs sonic groove label.

it is with great pleasure that desolat welcome the hugely-respected german producer and dj mathias kaden to the desolat family with his four track tentakle ep for the desolat x series!

four classic techno cuts from 1999 by adam beyer, joel mull and cari lekebusch.

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

wbeezas first release since 2012s peckham fly/billy green is ded single. if you believe is a simple stone cold knockout hook over deliciously arranged elements. wacky racers is a peak time banger - maybe his hardest track so far. wise root is a slow burner, only revealing its full force after nearly 5 minutes of keeping the dance floor locked in. mo bella is a rolling, swinging live jam of irrepressible groove. four unmistakable wbeeza joints.

scenery records present their second release this week, and it doesnt disappoint. it is a four tracker, with the a side being held down by deep space orchestra and b side duties being taken care of by bantam lions who featured on scn001 with a remix by the ever popular cottam. pressed on 180 gram heavyweight vinyl.
dj support: cottam, john heckle, d.s.o, hypercolour, andy ash, toby tobias, james priestley, ruf dug, neville easton, voyeur rhythm, steven briunsmann (m>o>s)

debütalbum der superpunk-nachfolgeband als 12 inch vinyl, inklusive cd-version.

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

this four track ep is a wonderful addition to any deep house and minimalistic collection and showcases the skill of a young and coming producer as well as the experience of long time perfomers and producers

four years since his last ep release and josh wink is back with balls on ovum.

a brand new house label from the b-tracks camp, harsher and more bad-boy than supply, with a killer four-track showcase to get the ball rolling. fresh and diverse... exceptionally good. scarily small amount available...

strong techno debut by d-ribeiro, one of rotterdams finest talents, on syncom data records. four deep and grooving techno tracks with a hint of house and a strong detroit feeling: wandering in the night through empty streets.

fanzine records first recording is called awaken ep and is by orlando voorn, alias basic bastard four tracks in which a classical sound

new tevo howard is a hypnotic chicago house release... four excellent tracks as we love it... deep

chicago legend jamal moss makes a return to sequencias with two tracks of overdriven angularity in his most jacking incarnation, the sun god. if you know jamal, then you are aware that no other artist has informed electronic rhythm-based music quite like he has. the current crop of raw, low-fi house and techno owes a large share of its existence to his releases under various monikers: hieroglyphic being, ibm, and as one half of africans with mainframes.

the blade wielding edit team known as beard science return for 2013 ! four more lost classics given the short back and sides (and a few extensions) the seventh release in this celebrated series opens with oswego music stretching out a fragment of dubby eighties rock. next, t.tauri revs up the engine on a raucous disco stormer. for the b side, torontos andrew allsgood and alister dj catalist johnson make their beard science debut with some sinuous space disco, hot on the heels of the launch of their free association label. finally, brad vachal, flying solo without eric hedford on this outing, slows things down with a swampy, bluesy rock number. quality all the way...

bcr v02 is the second vinyl release by bcr. this time its ad.lib (bcr, gynoid, affin) who produced the original and the remixes are done by rebekah (clr), joseph mcgeechan (bcr, prosthetic pressings) und monya (bcr, if?). she lost control is track title and announcement at the same time here. all of the four versions have this certain raw and uncompromising sound. they all work with the topic of loosing control on different levels. the very personal interpretations of the four artists share a hypnotic and alienating atmosphere. the prominent synth blips reminds of stroboskopic lights and excessive nights.

london staple deadboy returns for the first time since 2011s here, releasing new four track ep blaquewerk on 25th march. the release is the first of a set of many to shortly be announced, joining festival pleasure principle to form part of our 10th anniversary in 2013.

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

with reality on the horizon, lets play house continues to prove its not afraid to push the boundaries of house music while simultaneously broadening the spectrum of talent its roster embodies. the ep features four tracks by two los angeles-based outfits who have been around for a few years, primarily as taste-maker djs—cosmic kids and fingerpaint, a.k.a. tyler blake of classix

in the great tradition of count ossie, four new grounation furies - hypnotic, thunderous, urgent, mystical - with dubwise repeta, funde and bass drums embedding the light of saba veterans gorgeous trombone classicism.
the opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass, free the people swirls some apocalyptic reasoning into the foggy, thumping mix. universe in crisis is another emergency call, chuffing headlong down the grooves ... before the beautiful, anthemic chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

this release shows the diveristy of alixs amazing production skills and the end result is a spectacular four tracker that effortlessly glides us from the beautiful deep and warm vibes of no loss to the jittery vocal skills of treat me, via the analog gem bdrk and josh wink favourite champion sound. debuts dont get much better.

highly destructive four track ep from the irrepressible, container (spectrum spools), on morphine records. totally deadly, stripped back and direct. following 12inchs from shake shakir, hieroglyphic being, madteo & metasplice, this one is also going to blow up heads...very loud tip! artwork by maria kassab